82 - Ichi the Killer: Manga vs. Movie

Ichi the Killer by Hideo Yamamoto (1998-2001)

 

Ichi the Killer dir. Takashi Miike (2001)

 

We go into a deep dive on the Ichi manga, which was written around the same time that Miike was adapting it into his iconic film. What does the manga do differently from the film? Which is better? In the process of analyzing the work, we discover new insights about the relationship between creator and audience, and the power of creativity and the imagination.

 

On the free episode, we talk about:

Lost mail, editing promotion, working while parenting, looking for prolific author clients, natural gas bills, social media pink cloud, sacrificing birds, separate golem, no moderating, Ichi the Killer manga fan translation, the abomination of converting 16mm to 4K, the necessary layer of grime, estate sales, the history of hankos, Japanese surnames, the two Kakiharas, the prince albert punishment, Tetsuo’s discharge, describing Ichi the Killer with delicate language, sweetness perception, and becoming the TV.

On Agitator Z, we talk:

Burning the boats, owning a UPS store, Ichi the Killer manga recap, submissive sadism and aggressive masochism, the people who act like clowns are the actual psychopaths, Ichi as a representative of the political class, yakuza as dogs, torturing the audience, Gus the hype man, treating violence as sacred vs. comical, the place for edgelords, the narcissism of the artist, relationship to art is relationship to community, ass blood sprinkler, the lengthy middle of the Ichi manga, the Psycho Twins, everything is the period, trademark dreads, turning dicks into tuning forks, the differences of the endings, the only regular guy in the manga, Ichi the Killer as a metaphor for the artistic process, bean thieves, Yamamoto and Miike working together, playing Yakuza, serialized novel talk, Ichi the Killer 2, never winning the lottery and sigil work.

For a full recap/dissection of the manga vs. the film, visit the http://patreon.com/agitator.